Saturday, October 30, 2010

Looking for Gombrowicz


Cosmos
Words Without Borders has an intriguing excerpt from Gombrowicz in Argentina, which appears to never have been fully translated into English.
Rita Gombrowicz’s Gombrowicz in Argentina (Gombrowicz en Argentine, 1984) and Gombrowicz in Europe (Gombrowicz en Europe, 1988) pull together her years of research into Witold Gombrowicz’s life and work, along with her recently launched Web site on the author, www.gombrowicz.net. The books are structured as a unique biographical pastiche, comprised of interviews, commentary, photographs, and other ephemera tracing the writer’s path from Poland to Argentina, where he spent twenty-four years in exile, beginning at the outbreak of the Second World War; to Germany, where he was invited as a Ford Foundation scholar; and, finally, to France. For reasons of censorship in communist Poland, France had long served as the seat of Gombrowicz’s literary career, thanks initially to the Polish Literary Institute in Paris and its journal Kultura.
During two research trips to Argentina, in April 1973 and for six months between 1978 and 1979, Rita Gombrowicz found that her husband’s friends and contacts neither lauded nor diminished the writer in interviews, but “made him come alive again in his games, his idiosyncrasies, his peculiarities all while preserving his human dimension.”
In The Quarterly Conversation we serialized a chapter from Gombrowicz’s most recently translated novel, Pornografia (and, believe me, every day this page disappoints many eager Googlers).
DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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